Guarded Larynx
with Dr Jenevora Williams and Stephen King

Over this two session course, Stephen and Jenevora have curated a way through the information which can be useful professional development for those in a pedagogical or clinical setting. 
April 11, 2026. 1600-1730 UK time, online: The Guarded Larynx – Theory (Session 1)
April 18, 2026. 1600-1730 UK time, online: The Guarded Larynx – Practical (Session 2)
Recording avaliable after the live event

Session 1

The first session will be addressing the concepts in the paper, namely the unconcious and symbolic nature of the guarding reflex.
Session 1 introduces the Guarded Larynx as a protective organisational strategy rather than a fault, reframing guarding away from a simplistic “tension = bad” model. Guarding is explored across reflexive, learned, and relational forms, emphasising that it is often unconscious before it is conscious and arises at the intersection of breath, voice, affect, and social signalling.
The session traces how fast protective reflexes can stabilise into habitual behaviours through repetition and context, clarifying why voice users are frequently unable to simply “relax” when instructed. Guarding is then situated on a continuum from functional, adaptive responses through to maladaptive and disordered patterns associated with loss of agency and functional voice disorders. Finally, the usefulness of the guarding concept itself is critically examined, inviting participants to consider when it adds explanatory or therapeutic value, when existing biomechanical language suffices, and how to avoid over-psychologising technical voice issues, with the emphasis placed firmly on clinical and pedagogical utility rather than theoretical loyalty.

Session 2

The second session will be looking at how we implement the conceptual ideas from session one.
Session 2 translates the Guarded Larynx framework into practical teaching and clinical application, focusing on recognising guarding in real time without pathologising the voice user. Participants learn to identify functional markers such as rigidity versus variability, mismatches between task demand and vocal response, disruptions in breath–voice timing, protective sensory reports, and behavioural signs including hypervigilance and urgency. Central to the session is the use of language as an intervention, examining how technical explanation, reassurance, and naming can either reduce or reinforce guarding, and highlighting where pedagogy, psychotherapy, and voice science intersect. Rather than attempting to eliminate guarding, the emphasis is on working with it—creating conditions for choice, increasing degrees of freedom, and using indirect approaches through breath, rhythm, and attention, treating guarding as meaningful information rather than resistance. For those using manual approaches, ethical considerations around touch, proximity, consent, and pacing are addressed. The session concludes by supporting participants to integrate these principles into lessons, therapy, group work, and online contexts, leaving with clearer decision-making frameworks, greater tolerance for uncertainty, and confidence in not needing to immediately “fix” every guarded response.

Jenevora Williams PhD 

All voice users suffer from ill health at some time. Jenevora works with singers who are recovering from injury, or just singers experiencing a problem with their voices. Her approach is always through the biopsychosocial lens; everything is connected and there is never one single cause for a voice issue. As a regular member of the team in an NHS multidisciplinary Voice Clinic, she has an ongoing understanding of vocal health and healing. Jenevora’s work is embedded within the multidisciplinary, holistic Voice Care Centre. The centre provides singers with joined-up treatment and care, working as a team to support the process of rehabilitation beyond just recovery. She is also a director ofVocal Health Education providing professional training internationally in vocal health and rehabilitation. Jenevora spent many years working as a professional opera singer, this lived experience combined with her years of research and training give her a unique insight into the demands of the professional voice user.

Stephen King

Stephen is a published researcher, educator, author and works as a integrative therapist, providing alternative ways to treat functional voice problems. He founded and currently works at the Voice Care Centre in London and North Devon, consulting on cases of voicelessness online.
He now splits his time between teaching the Vocal Massage Training courses and his clinical 1-2-1 work. Having taught at or consulted for the NHS and private hospitals/clinics across Europe, Stephen is a keen collaberator as well as being at the forefront of advances in the field with his ongoing international conference schedule.