ONLINE Vocal Massage Training course for singing teachers, speech therapists and bodyworkers from a Biopsychosocial, Person-Centered perspective and Body Psychotherapy perspective.
Taught by: Robert Price and Stephen R King
ONLINE Vocal Massage Training course for singing teachers, speech therapists and bodyworkers from a Biopsychosocial, Person-Centered perspective and Body Psychotherapy perspective.
Taught by: Robert Price and Stephen R King
One evening per week for 12 weeks enables continued access to the learning and practice time in between. Ideal for busy professionals, parents and carers to begin to learn and develop with this modality.
£1,775 for the full course
Price includes a copy of the Handbook of Vocal Massage.
Pay in full, or split your payment: 50% deposit to secure your place, with the remaining 50% due two weeks before the course starts.
All seminars are delivered via Zoom, and full participation is required. There will only be recording in exceptional circumstances as this is a LIVE online course.
1. Palpation of the soft tissue, cartilage and bone structures surrounding the vocal system. – Sternocleidomastoids – Submandibular region – Transverse processes of the Cervical Spine – Masseter – Temporalis
2. Exploring the Biopsychosocial philosophy in relation to Manual Therapy – Synthesising evidence-based medicine, research and the story of the patient to maximum treatment outcomes in a person-centered framework.
Consolidate a consent-based practise built on the fundamentals of the EQUATION consent framework (Voice Speech Review, Flock and King 2022).
3. Learn seated and supine protocols Ideal for those working in clinical and studio settings
1. Palpation and treatment for the Jaw – Masseter – Temproalis – Buccinator – Pterygoid (external) – Digastric
2. Exploring the Anatomy, Pathology and various treatments associated with the Jaw including:
– TMJ-D
– Lock Jaw
– Translation or dislocation of the retrodiscal tissue Headaches
– Jaw tension in the singer / pro voice user
3. Explore the psychosomatic and relational aspects of the EQUATION framework and consent-based interactions for alleviating jaw pain and discomfort.
4. Learn seated and supine protocol. Ideal for those working in clinical and studio settings.
1. Palpation and treatment for the Neck region and postural muscles
– Trapezius
– Sternocleidomastoids
– Transverse Processes of the Cervical Spine
– Scalene
2. Exploring the Anatomy, Pathology and various treatments associated with the Neck including
– Arterial dissection
– Cervicogenic Headaches
– Whiplash
– Tortocollis
– Neck tension in the singer / pro voice user
3. Begin to consider the somatising properties of neck pain and tension through the navigation of the EQUATION framework.
4. Learn seated and supine protocol. Ideal for those working in clinical and studio settings.
1. Palpation and treatment for the muscles inside the mouth
– Lateral Pterygoids
– Medial Pterygoids
– Tongue
2. Exploring the Anatomy, Pathology and various treatments for inside the mouth.
Trauma Aware lecture, sexual abuse, physical or emotional abuse and how we might consider these in our treatment plan.
– TMJ-D
– Tongue tie
– Increasing / restoring resonant capabilities in the singer or pro voice user
3. Work through a trauma-informed module, minimising psychological harm to our patients and clients through carefully considered use of words, phrases and touch
4. Learn seated and supine protocol. Ideal for those working in clinical and studio settings.
1. Palpation and treatment for the muscles and cartilage of the Larynx – Sternothyroid
– Sternohyoid
– Hyoid manipulation
– Cricothyroid
– Thyrohyoid membrane
2. Exploring the Anatomy, Pathology and various treatments for the Larynx. Revisiting trauma Aware lecture, sexual abuse, physical or emotional abuse and how we might consider these in our treatment plan “Lacking tilt” Muscle Tension Dysphonia Hoarseness Fatigue
3. Deepen an understanding of the psychological components of voicelessness, hoarseness and fatigue and consider these within the framework of consent and touch.
4. Learn seated and supine protocol. Ideal for those working in clinical and studio settings.
Each session runs from 1700 – 2000 sharp (UK time)
There are only 10-12 students in each class to ensure high quality learning takes place.
Anyone can attend this course, however if you do not meet the professional standards expected to continue the work safely, you will be asked to leave. It is recommended that you have prior training in bodywork, and a knowledge of voice, as completing the course requires competency to practice safely. Required reading material: “The Handbook of Vocal Massage, a relational approach” available here.
Massage Therapists, Physiotherapists, Osteopaths, Speech Therapists, Chiropractors and Doctors can all use Vocal Massage as part of their scope of practice. Increasingly, vocal coaches, voice teachers and vocal health specialists are including this work and these concepts into their current work Those who wish to use this work in a clinical setting must be insured to do so. You can gain insurance by training with certain training providers in Manual Therapy/ Massage including this full course.
Nobody holds the rights to manipulation or manipulative technique, Osteopaths, Chiropractors, Physiotherapists, Doctors, and Manual Therapists who use these techniques are not the sole guardians of this style of therapy, as these techniques have been around for thousands of years. (Even Hippocrates, the founding father of Medicine around 460-355 B.C, wrote about setting joints by leverage and details the use of manipulation). We are partnered with Westminster Indemnity Insurance to give you a comprehensive cover once graduated.
You’ll be ready to start practising vocal massage with your clients right away. As a graduate, you’re also invited to join the Vocal Massage Training Community – a space to connect with fellow practitioners, ask questions, and keep learning. You can find more information here.
‘Choosing to do the vocal massage training course with Stephen was one of the best decisions I have ever made. Not only is it a well-structured and informative course, but it is delivered in a way that makes you feel at ease and creates an extremely enjoyable learning environment. After the course, I felt confident and capable in vocal massage and began practicing straight away.’ Student Success: Edinburgh Voice Care At Edinburgh voice care we follow a patient centred model. Each Vocal Massage is as important to us as it is to you, the patient is at the heart of every treatment. We tailor every massage around the patients specific needs. We aim to have every patient leave with a feeling of calm and a greater connection to their body and voice.
After six intensive and deeply insightful days, I’m still absorbing everything I’ve learned. The Manual Therapy for the Voice training with Stephen King was truly inspiring. As a teacher and dedicated voice nerd, I love diving deep into vocal work, but this course unlocked new dimensions of touch and manual techniques. What made this training so impactful wasn’t just the techniques themselves but also the direct, personal experience—feeling in my own body how precise, intentional touch can influence the voice. The blend of hands-on practice, expert guidance, and immediate application made a profound difference. The insights I gained will undoubtedly shape both my therapeutic and teaching work in meaningful ways. Working with Stephen and Robert was an absolute pleasure. They bring a rare combination of scientific expertise, practical mastery, and human warmth, making the learning process both engaging and deeply enriching. Their clear, refined approach to touch and voice work has given me new tools and a heightened awareness of manual therapy. I leave this training with fresh knowledge, new perspectives, and a deep appreciation for everything I’ve learned.